Dialettiche della creazione. Per una critica dell’immersività

Abstract

Our proposal’s aims are twofold: first, to develop some Adornian reflections as a complement to the category of immersivity; and second, to explore the implications of immersive art within the context of the current ideological debate, particularly in relation to the artistic use of new technologies. We will observe how the concept of ‘immersivity’ can evolve into an aesthetic notion of a qualitatively distinct kind if comprehended in its true sense, as it actually belongs to the very creative nature of art and, in the case of music, to its very form of expression.