About the aesthetics of electroacoustic music. A proposal


Electroacoustic music offers some opportunities I would define “of redemption” for musical aesthetics, music philosophy, and musicology. Does at the basis of electroacoustic music exist a musical thought we can attribute a philosophical value to? Is it possible to talk about an “aesthetics of electroacoustic music”? I think that, from now on, we should face the issue with the seriousness it deserves.