a cura di Gustavo Marfia e Giovanni Matteucci
Table of Contents
Articles
Some remarks on aesthetics and computer science | |
Gustavo Marfia, Giovanni Matteucci |
The digital in digital art | |
Mario Verdicchio |
Creative possibilities of repetition in videogame aesthetics | |
Alejandro Lozano |
Taste and the algorithm | |
Emanuele Arielli |
Digital music. Storia e implicazioni teoriche | PDF (Italiano) |
Giacomo Fronzi |
The impact of AI on the musical world: will musicians be obsolete? | |
Luca Casini, Marco Roccetti |
Focus
Marx 1818-2018: Aesthetic traces of his legacy | |
Stefano Marino (editor) |
The aesthetics of non-objectivity. From the worker’s two bodies to cultural revolution | |
Daniel Hartley |
The aesthetic politics of hegemony | |
Samir Gandesha |
Council aestheticism? Pannekoek, the avant-garde and contemporary art | |
Sven Lütticken |
Reviews
Wolfgang Welsch, Ästhetische Welterfahrung. Zeitgenössische Kunst zwischen Natur und Kultur, Paderborn, Fink, 2016, pp. 120 | PDF (Italiano) |
Silvia Pieroni |
Richard Shusterman (a cura di), Aesthetic experience and somaesthetics, Leiden-Boston, Brill, 2018, pp. 220 | PDF (Italiano) |
Stefano Marino |
Nidesh Lawtoo, Il fantasma dell’io. La massa e l’inconscio mimetico, tr. it. di E. Cantoni, Milano-Udine, Mimesis, 2018, pp. 370 | PDF (Italiano) |
Emanuele Antonelli |
Saulius Geniusas, Dmitri Nikulin (a cura di), Productive imagination: its history, meaning, and significance, London-New York, Rowman and Littlefield, 2018, pp. 206 | PDF (Italiano) |
Danilo Manca |
Michael Squire, Paul A. Kottman (a cura di), The art of Hegel's aesthetics. Hegelian philosophy and the perspectives of art history, Paderborn, Fink, 2018, pp. 389 | PDF (Italiano) |
Francesca Iannelli |
Sacha Golob, Heidegger on concepts, freedom and normativity, Cambridge, Cambridge University Press, 2014, pp. 270 | |
Marco Cavazza |
Surveys
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ISSN DIGITALE 1825-8646
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