Abstract
This paper aims to investigate the intersections between Hegel’s aesthetics lec- tures and translation theory and praxis, with reference to the French-Italian translation project Hegel Art Net. Against the background of the historical recon- struction (1) that sees Hegel repeatedly confronted with the fruition and production of translations, we intend to examine the hermeneutic (2), philological (3) and political (4) challenges that a translator of the aesthetics Nachschriften encounters today, following the “philological turn” of the 1990s and the publication of new sources documenting Hegel’s Berlin lectures on the philosophy of art.
